They will repeat the atrocity and the beauty...

They will be good for each other and they will bite one another. They will create their god of whiteness and build for themselves a white hell. They will go on crusades. They will cause pain, repeat old gestures of tenderness, reach the bottom of debauchery.

Paweł Głowacki, Dziennik Polski, Krakow

The Blind

Jerzy Zoń

When Saramago’s idiosyncratic universe was put together with that of the also idiosyncratic and politically concerned group KTO Theatre, a huge and violent wave of ideas was created in the form of this masterpiece, The Blind. The monumental staging of this story (…) succeeds admirably, and deals brilliantly with the epic proportions of Saramago’s story. (…) A superb interpretation of this fantastic novel.

Joelson Gusson, Totaltheatreview.com, Edinburgh

And there are also echoes of other great literary images of blindness, from the blind seer Tiresias of Greek tragedy, to Maeterlinck’s Les Aveugles, with its group of blind people on a troubled pilgrimage; in this powerful and beautifully acted visual drama about a society’s instinctive response to a crisis that kills no-one, but changes everything, and reveals many disturbing truths.

Joyce McMillan, The Scotsman, Edinburgh

After the initial perfectly pure moments in the style of Chekhov, Zon makes his characters hear a moan, and then he leads them, now the blind with milk at the bottom of their eyes, to the world of white metal beds.(…)

The pure peace of the first moments of the tale will soon evaporate. After the first scream Zon keeps accelerating the rhythm. He constructs an overwhelming hour. Image after image – there is more and more madness on the square (…). The crackle of white beds keeps growing, they turn into barricades, a wailing wall, the way of the cross or barred hollows where the blind get their moments of peace. More and more powerful winds sweep the dust from the ground. More and more ruthless music makes the heads burst until the end when a woman in red stands on a bed with her hand placed on the air. She is looking (…). As if she were checking if the lost city is returning to her from the whiteness or not. No? Yes? No. It is not coming back.

This is why (…) it is a must to go and see it. Watch. Perceive. Perceive at all costs.

Paweł Głowacki, Dziennik Polski, Krakow

(…) the final 25 minutes deliver an eye-watering experience which is as visually stunning as anything you’ll ever see: the sky appears to bleed red, glittering rain.

Lyn Gardner, The Guardian, Edinburgh

Krakow-based KTO Theatre pulls off a rare feat in combining stunning visual effects with a potent emotional impact (…).

Whether through pounding music, imagery that’s by turns shocking and poignantly beautiful, or its physical performers’ sheer animal energy, the company seems intent on engaging the audience in as direct a way as possible. And it works: it’s hard to tear your eyes off the show, no matter how harrowing it becomes.

David Kettle, The List, Edinburgh

When a production we watch is rooted in the novel of Jose Saramago, then it must cause pain. The story of human behaviour in the apocalyptic end of the world, (…) reflecting the structure of a former order through various configurations of hospital beds and making a great impression on the spectators. They know that they are watching a story about themselves (…). The fall of an individual is painful but the fall of a group of people is terrifying. We get frightened by our helplessness while facing a crowd where compassion and respect for another human being disappear. This process is rendered with great precision by the actors of the KTO Theatre.

Małgorzata Wysocka-Błaszczak, Sztukaulicy.pl, Warsaw

Ten years after its premiere and in the year of coronavirus stopping the world in its tracks, the monumental outdoor performance becomes an even more acute diagnosis of contemporary mechanisms, irrational choices, fear, dishonesty and disinformation.
What seemed like fiction yesterday, today may happen to be a reality.

The show was nominated for the Edinburgh’s Total Theatre Award in the category of Physical/ Visual Theatre. It has been presented over 100 times on 50 festivals in many countries around the world, including South Korea, Iran, Mexico, Colombia, Spain, Portugal, Austria, Germany, Scotland, Belgium, Russia, Czech Republic, Romania, Ukraine, and Costa Rica.

Script, direction and selection of music
Jerzy Zoń

Stage set
Joanna Jaśko-Sroka

Costumes
Zofia de Ines, Joanna Jaśko-Sroka

Choreography
Eryk Makohon

Performers
Karolina Bondaronek, Karolina Daniec-Franczyk, Magdalena Dymsza, Paulina Lasyk, Justyna Orzechowska, Grażyna Srebrny-Rosa, Marta Zoń, Bartek Cieniawa, Jacek Joniec, Tomasz Łukawski, Filip Madeja, Adam Plewiński, Danuta Kulesz-Różycka, Mieszko Syc, Bartłomiej Zdeb

Premiere
June 18, 2010, Krakow

Duration
60 minutes

As part of the "RegioActive Festival Goleniów"
September 3, 2022, Goleniów
August 7, 2022 , Lublin
August 5, 2022, Stalowa Wola
July 5, 2022, Ełk
June 4 2022, Rybnik
September 11, 2021, Garwolin
As part of the Four Shades of Theatre project
August 29, 2021, Wieliczka
As part of the Four Shades of Theatre project
August 28, 2021, Limanowa
As part of the Four Shades of Theatre project
July 31, 2021, Gliwice / Poland
As part of the Four Shades of Theatre project
July 30, 2021, Wadowice
As part of the Four Shades of Theatre project
June 12, 2021, Oświęcim
December 12, 2020, Cracow online
3rd International Festival OPEN THE DOOR
September 27, 2020, Katowice
August 8, 2020, Poznań
June 30, 2017, San José / Costa Rica
May 17-18, 2017, Timişoara / Romania
January 29, 2017, Tehran / Iran
September 30, 2016, Seoul / South Korea
September 30, 2016, Zacatecas / Mexico
July 18, 2015, Prague / Czech Republic
June 21, 2015, Zamość
September 11-13, 2014, Tàrrega / Spain
July 26-27, 2014, Cologne / Germany
July 25, 2014, Oberhausen / Germany
June 26-27, 2014, Arkhangelsk / Russia
June 6-9, 2014, Sibiu / Romania
June 7, 2013, Mettmann / Germany
September 20-21, 2012, Gwancheon / South Korea
August 3-27, 2012, Edinburgh / UK 
July 26-28, 2012, Ludwigshafen / Germany 
18th PUF International Theatre Festival
July 1, 2012, Pula / Croatia
May 26-27, 2012, Leuven / Belgium
May 19, 2012, Ostrołęka / Poland
May 18, 2012, Białystok
April 26, 2012, Prešov / Slovakia
March 28-31, 2012, Bogota / Columbia
October 1, 2011, Wuppertal / Germany
September 8, 2011, Wrocław
August 8, 2011, Jelenia Góra
June 24, 2011, Jedlina Zdrój
May 18-22, 2011, Santa Maria da Feira / Portugal
21st Golden Lion International Theatre Festival
October 7, 2010, Lviv / Ukraine
September 13, 2010, Brest / Belarus 
Karpaty OFFer Małopolska Festival
August 21, 2010, Nowy Sącz
August 20, 2010, Płock
August 15, 2010, Olsztyn

Karolina Bondaronek

Karolina Bondaronek

Paulina Lasyk

Paulina Lasyk

Justyna Orzechowska

Justyna Orzechowska

Karolina Daniec-Franczyk

Karolina Daniec-Franczyk

Magdalena Dymsza

Magdalena Dymsza

Grażyna Srebrny-Rosa

Grażyna Srebrny-Rosa

Marta Zoń

Marta Zoń

Sławek Bendykowski

Sławek Bendykowski

Bartek Cieniawa

Bartek Cieniawa

Jacek Joniec

Jacek Joniec

Tomasz Łukawski

Tomasz Łukawski

Paweł Monsiel

Paweł Monsiel

Adam Plewiński

Adam Plewiński

Mieszko Syc

Mieszko Syc

[FM_form id="1"]
Skip to content