Theory of Human Fatigue
According to research, one in five of us experiences symptoms of exhaustion
Never before in human history has work been so efficient. Theoretically, we could be the laziest species on the planet, focusing only on what truly matters to us. In reality, we have no time for anything, we work more and more, and we constantly push beyond the limits of the human body. According to research, one in five of us experiences symptoms of exhaustion.
Paradoxically, however, it is not an excess of responsibility that makes us sick in today’s world, but the omnipresent cult of success. Perhaps it’s finally time for a firm stand and a change?
We invite you to our clinic of (in)somnia, where, theoretically, you won’t miss a thing, but in practice, you will miss everything. Join us for a collective session of slowing down, a story about seeking relief in a world that never stops, running 24/7.
The performance is inspired by the essays of Byung-Chul Han (The Burnout Society and Other Essays) and the book by Jonathan Crary (24/7: Late Capitalism and the Ends of Sleep).
The production also includes excerpts from a script developed under the mentorship of Daria Sobik as part of the Katowice Theatre Round.
An attempt to take a closer look—with a great deal of sensitivity, attentiveness, and humor—at our professional pursuits.
(…) An attempt to take a closer look—with a great deal of sensitivity, attentiveness, and humor—at our professional pursuits, with the timeless question quietly resonating in the background: Quo vadis, domine?
The performance is a hybrid of sorts, blending both words and movement, with each language seemingly given equal weight. The sharp and insightful text is complemented by brilliant choreography set to the captivating music of Michał Smajdor.
Rafał Turowski, Chillizet
A thought-provoking story about the relentless pace of modern life..
A thought-provoking story about the relentless pace of modern life, while also offering a moment of respite for those who feel overstimulated, exhausted, and drained.
(…) The cohesive storyline is enriched with dynamic choreography, and the cast, excelling in both aspects, frequently breaks through the form and the fourth wall (…).
Przemek Gulda, guldapoleca
The entire cast maintains a high standard of performance. And it is a very high standard
Stepping beyond theatrical boundaries and playing with convention is truly delightful. Most importantly, it works—allowing for a brief moment to clear the mind, enjoy the art, and simply be present in a shared space.
„Theory of Human Fatigue” is a coherent, well-thought-out production. Everything interlocks seamlessly: music, choreography, set design, and props (the hundreds of pills scattered across the floor look stunning). The entire cast maintains a high standard of performance, and it is a very high standard.
Bartłomiej Juszczak’s debut is an impressive one. We look forward to more—it will certainly be worth the wait.
Piotr Gaszczyński, Teatr Dla Wszystkich
It is a performance that captivates with the simplicity of its form.
Monika Matura, Kulturatka
Direction and text
Bartłomiej Juszczak
Set design, video, lighting
Jakub Kotynia
Music
Michał Smajdor
Costumes
Kamila Wdowska
Cast
Martyna Dyląg, Sandra Guzowska, Aleksandra Kądziołka, Jan Sarata
Project realized with funds from the „Creative Scholarship of the City of Kraków”
The performance co-financed by the Academy of Dramatic Arts in Kraków in the framework of the Start Fund Program.
